All John Henry Twachtman Oil Paintings

American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,
 

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John Henry Twachtman Azaleas oil on canvas


Azaleas
Azaleas
Painting ID::  44837
  mk177 1898 Oil on canvas 30x24
  mk177 1898 Oil on canvas 30x24

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John Henry Twachtman New York Haffen oil on canvas


New York Haffen
New York Haffen
Painting ID::  45309
  mk181 1879 Cincinnati
  mk181 1879 Cincinnati

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John Henry Twachtman On the Terrace oil on canvas


On the Terrace
On the Terrace
Painting ID::  49466
  mk196 c.1897
  mk196 c.1897

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John Henry Twachtman Winter Scene oil on canvas


Winter Scene
Winter Scene
Painting ID::  50578
  mk212 1890-1900 Oil on canvas 76.5x76.5
  mk212 1890-1900 Oil on canvas 76.5x76.5

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John Henry Twachtman Winter Harmony oil on canvas


Winter Harmony
Winter Harmony
Painting ID::  54485
  mk235 c.1890-1900 Oil on canvas
  mk235 c.1890-1900 Oil on canvas

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     John Henry Twachtman
     American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,

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